Mostrando entradas con la etiqueta The Roots. Mostrar todas las entradas
Mostrando entradas con la etiqueta The Roots. Mostrar todas las entradas

lunes, 5 de agosto de 2013

The Roots’ extraordinary career

Written on March 3, 2013

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When some people hear the words “rap” or “hip hop”, they might conjure images of young blacks and Latinos with expensive cars and extravagant jewelry, dressed in sports attire, and surrounded by a bevy of scantily-clad women. Others might visualize parties in which only one man behind a pair of turntables is responsible for the event’s success. Few, if any, would think of a band of up to eight different musicians that play their own instruments.

The Roots, a legendary alternative rap group from Philadelphia, have established an amazing career marked by a willingness to shatter the stereotypes that sadly characterize hip hop culture in the eyes of many badly informed observers. Led by drummer ?uestlove and MC Black Thought, the collective’s discography totals eleven group album and three collaborations (with rapper Jay-Z and singers John Legend and Betty Wright) throughout twenty years. The hallmarks of their distinctive style are their use of acoustic instruments, the way that they mix different musical genres, and their poetic lyrics with existential themes.

Despite having never sold a platinum album, their single “You got me” was awarded a Grammy in 1999, and since 2009, they have been the house band of the NBC talk show “Late Night with Jimmy Fallon”. Although it is a shame that some people know them from their role on the show and not from their prolific recording output, the media exposure that they have achieved as a result of supporting a popular comedian has considerably expanded their audience.

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The albums they released in the nineties create a relaxing ambience, something that many thought hip hop music could never do. However, this does not mean that the band limited itself to soft songs during this period. “Respond/React”, “Distortion to Static”, and “Adrenaline!” go back to hip hop’s essence with their abundance of complex rhymes and pulsating beats. “What they do” criticizes rappers that compromise their integrity in an attempt to boost their mass appeal and enlarge their bank accounts. Musically, the track combines hip hop attitude with melodic jazz guitar lines and smooth neo-soul hooks. Its accompanying music video, a satirical look at hip hop clichés, is one of the best of the decade.

Even after twenty years in the business, the group keeps finding ways to innovate within their unique mixture of rap, jazz, soul, and rock. Their last album, Undun, was released on December, 2011, and immediately hailed as a classic by many critics. A concept album that narrates the final 24 hours in the life of a young thug (in reverse chronological order), it might be their most profound and elaborate creation. Every song is a story within itself, but listening to them in succession gives the listener a complete perspective on a troubled and complex character. The music, which tends to be somber and dark, creates a contemplative and melancholic atmosphere that provides the ideal background for Black Thought’s introspective rhymes.

All of the Roots’ albums display the qualities that make their music so special, but their tendency to experiment gives each of them a unique personality. As a result, their legacy is not only centered on their abundant creativity, but also in the fact that they have never exploited trends to try and sell more records. This tendency mark their own path and establish new musical tendencies has brought them a lasting and successful career in a field where one can be forgotten a year after selling millions of albums.

In January, ?uestlove announced that the band is recording its twelfth studio album, as well as a collaboration with famed English rocker Elvis Costello. Also, last week Black Thought revealed that he is currently recording a blues album - his first solo record, and another chapter in the impressive trajectory of the Philadelphia collective.

viernes, 9 de septiembre de 2011

The Ten Albums That Changed My Life

It's a huge cliché, but music has always been the most important thing in my life. From when I took Pavarotti cassettes to preschool at age 3, dressed up like Juan Luis Guerra at 4, and played piano at 5, music has always been a constant element of my development. However, my real music education began at the age of 9 when I discovered The Beatles. Here are the key moments from that point on:


                                                   The Beatles – Meet The Beatles!


 While channel surfing on a boring night in 1996, a quartet of smiling young men appeared on the screen performing a song called “I Want to Hold Your Hand”. I immediately knew that my life had changed. The next day, I asked my mother if she knew who these musicians were. Overcome with emotion, she gave me her collection of Beatles LPs. Naturally, the first one I listened to was their US debut, “Meet The Beatles”, whose opening song was the same one I had heard the night before. From that point on, I wanted to immerse myself completely in music, especially Rock & Roll.


                                                            Led Zeppelin IV


 When I told my 5th grade guitar teacher that I wasn’t familiar with the name “Led Zeppelin”, he lent me his copy of the fourth album of this legendary group and told me to listen to the song “Rock & Roll”. As soon as I pressed the play button, the loud and aggressive crashing of John Bonham’s cymbals scared the hell out of me, and I immediately turned off the record player. Fortunately, my curiosity would not allow me to disregard what I heard. I played the song again, realized I had discovered a new style of music, and began my life-long infatuation with Hard Rock.
 

                         Bob Marley & The Wailers – Natural Mystic: The Legend Lives On




In 1998, every teen and pre-teen in Puerto Rico had Bob Marley’s greatest hits compilation “Legend” in his/her personal collection. I thought it was nothing to fuss about, but decided to give his music another chance and bought this collection. Most of the songs on “Legend” focused on Marley’s romantic side, but the ones on “Natural Mystic” were much more politically charged. The attacks on racism and social inequality found on “So Much Trouble in the World” and “War” (as well as the call to unity on “Africa Unite”) showed me that music could serve as a powerful tool for social change and personal growth.


                                          Rage Against The Machine – Evil Empire



 Although I prefer their debut, this is the RATM album that changed my life. The picture of dozens of books that was found inside the booklet set off my interest in politics. When I saw that one of my favorite bands encouraged learning about people like Che Guevara, Malcolm X, Karl Marx, and the Black Panthers, I was never the same. The music was also life-changing; even if he was working within an Alternative/Hard Rock context, Zack de la Rocha was the first rapper I liked, and this would eventually lead me to the Hip Hop genre.


                                              Redman – Doc’s Da Name 2000


 By 1999, I was anxious to listen to something completely different from the Classic and Alternative Rock that I was used to. I proceeded to explore Rap music more deeply, and the first album I bought was Redman’s platinum-selling release from the year before. Although the catchy beats rooted in 70s Funk caught my attention at first, the clever wordplay and the musicality of Redman’s delivery made me love the album and turned me into the Hip Hop head that I am today.
 

                                           The Roots – Do You Want More?!!!??!


 A few months after my 12th birthday, I was given The Roots’ second album as a present. After listening to Black Thought’s and Malik B’s literate raps and the jazz-influenced grooves played by ?uestlove and the rest of the band, I knew that Hip Hop had much more to offer than the stereotypical images and sounds seen and heard on TV. This was my first encounter with the subgenre known as Alternative Rap, and I was dying to find other highly creative rappers that existed outside the mainstream.
 

                                                             Nas – Illmatic


 I will never forget the first time I heard “N.Y. State of Mind”. The first verse was so mind-blowing that I must have played it ten times before moving on to the second half of the song. The intricate lyrics that demand and reward close attention, and the hard-hitting, jazzy, and elaborate beats, make “Illmatic” far and away my favorite album of all time. With this seminal record, Nas set the bar incredibly high, and I became much stricter with the way I judged rappers after this experience. 


                                                    Willie Colón – Lo Mato



Growing up, I always thought Salsa was lighthearted dance music for people my parents’ age. That perception was erased forever as soon as I heard “Calle Luna, Calle Sol”. The heavy-sounding trombone showed that this was no pop tune, and the cautionary lyrics about one of Puerto Rico’s most dangerous streets resonated in a way that I could have never imagined. This song, as well as the rest of the album, not only made me love Salsa music, it also instilled a sense of cultural identity and pride that will forever define me.


                                                    Miles Davis – Kind of Blue

  
 Even though my parents always took me to Jazz concerts as a child, I did not explore the genre on my own until I turned 17. After reading an article that named this the best Jazz album of all time, I decided to give it a listen. Much like “N.Y. State of Mind”, “So What” was such a perfect song that it took me a few weeks to move on to the rest of the album. Complex in execution but simple in approach, the majestic sounds of “Kind of Blue” made me eager to listen to other genres of music that I had previously avoided.


                                            Guns N’ Roses – Appetite For Destruction


 I bought this landmark recording in 1998 at the age of 10, but it did not have a profound impact on me until 2008. Disillusioned with the state of music at the time, I sought refuge in an undisputed classic, and it felt like I was listening to it for the first time. Every song impresses by sounding so raw and menacing while having unforgettable hooks. My infatuation with this album kick started my obsession with dirty and bluesy Hard Rock, which to this day remains my favorite style of Rock music.